Friday, 15 October 2010


Is it really art? Or just good old fashioned vandalism?

We ask the question and conveniently receive the answer in around 700 words.

Andy Exell

So I’m sitting in Exell HQ drinking instant coffee from a mug which tells me how wonderful I am. The dog is on fire, squirrels are gnawing their way through every electrical cable they can find and threatening to deprive me of South Park forever, the local council have dispatched a team of highly trained Rottweillers to gnash through my door and snap my femurs like chicken bones for playing my harmonica at 3am. And to top it all off my friend asks me to write up a piece for his stunningly sexy new site, on the age old topic of Art Vs Vandalism. And who am I to challenge the whims of fate?

The question itself is as interesting as the possible answers. Mainly because both Art and Vandalism are entirely relative terms, there is no “set in stone definition” for either of them, one man’s broken window is another man’s impromptu ventilation improvement and one man’s modern art master piece is another man’s piece of excrement smeared on a canvas. So the whole deal is tricky from the get-go but I’ll try to lay out some ideas to help you define or re-define your opinion.

Some people have deep rooted misconceptions about graffiti and street art on the whole, they think that spray cans are not a valid artistic medium, used only by delinquents and malevolent social activists out to wreck the stability of our great respective countries. This is and always will be the most purest grade A insanity ever heard since the whole WMD debacle. Those people should actually try to use a spray can, to get varying line thickness’s and fading effects and generally to use the medium, takes enormous effort and practice and quite frankly if I see something done in spray’s I give it extra marks right away, because I know how hard those wonderful little tins can be to use. I have always equated the skill involved in an endeavor as the highest priority for ranking it’s worth, and in that way Graffiti will always be ranked loudly and proudly high in my eyes. Of course some people choose to put it in places that it shouldn’t necessarily be, but that is beside the point I feel, when you are talking about it’s status as a valid art form, it’s important to remember what your judging.

If you think about it long enough you may come to the conclusion that I have, which is that both Art and Vandalism like most terms, are so insanely relative that it becomes hard to justify applying one to a single thing. For instance a hell of a lot which is exhibited in the Tate modern is to my tastes not art but just offensive to my eyes, however many many people consider it Art and not just Art but amazing Art. My point here is that just because I feel something is downright offensively bad, doesn’t mean it’s not art at the same time and conversely, not that it’s not Art and not also terrible at the same time. So instead of arguing over whether it’s one thing or another, just accept that it is two things simultaneously and that those two things, may change according to peoples preferences.

A broken window is vandalism to some, a poetic display of expression to others and just a broken window to the rest, so I take the opinion that Graffiti is both Art and Vandalism. And that would make three types of people in the world, those who think Art first Vanadlism second, those that think Vandalism first and Art second and those that think it’s just plain vandalism, and that’s that aside from the inevitable “don’t care” vote, and out of those I know precisely which one I am.

Summing up this kind of topic in less than 700 words is an impossible task and I have barely scratched the surface here but I hope that this at least gives some of those who had negative opinions, the motivation to question and perhaps change them. If not look at it this way, I just stole 5 minutes of your life, and your never getting it back.

Adios

Andy Exell

Link: http://www.underspray.com/vandalism.html

Young Voices: Graffiti- Art or Vandalism

EMERGENCY CALL 911

Graffiti and Tagging

Graffiti is defined by Webster' s Dictionary as "an inscription, slogan, drawing, etc., scratched, scribbled, or drawn, often crudely, on a wall or other public surface." It will always carry the name of the gang and sometimes the street name or "moniker" of the person who wrote the graffiti. If it appears that there is a list of names with the graffiti, the gang member is providing a listing of the gang members and the writer of this particular graffiti is usually the last name on the list.

It is not necessary for citizens to be able to decipher the exact meaning of graffiti, but it is important that they recognize it as gang-related and take steps to notify the police. When you come across graffiti, remember the "3 R's":

Record:
If you have been victimized by graffiti vandalism you need to record it for evidence and insurance purposes. Take photos of the vandalized area and record when it occurred. This information will be required when you report it.

Report:
Graffiti In Progress - If someone views graffiti in progress they should contact 911.

Property Owners - If a property owner discovers graffiti on their property they should contact Police at 780-423-4567.

Citizen Complaints - All citizens are encouraged to call the City of Edmonton at 780-496-8200 to report graffiti on public and private property whenever it is spotted.

Remove:
Property owners who fail to remove graffiti within a reasonable time may be fined $250 (effective April 1, 2008). Where a graffiti complaint is not voluntarily removed, a property owner may receive a fine. It's important to send graffiti offenders the message that graffiti will promptly be removed from your property.

Tagging

Graffiti can be classified into three basic types or styles that are known as togging, bombing, and piecing.

Tagging is the simplest and quickest, involving only the marking of the tagger's initials, symbol, or alias. This may be in the manner of unreadable writing or initials, often made with spray paint in large rounded bubble style letters. They can also use markers to place their initials or "tag" on a variety of surfaces. These taggers are called "writers."

Bombing takes a little more time to complete and may be multicoloured and detailed.

Piecing is the highest level and often takes extensive time and work to complete. Those who create these elaborate designs are called "piecers," after the "masterpieces" they do.

Taggers usually operate independently or in small groups of two or three, called crews. Crews will also choose their own name or symbol. The name may be comprised of 2-5 letters or numbers.

It doesn’t matter what background you come from, it is more important that you are a good writer or piecer and how daring you in getting your name or crews name "up". The goal of the tagger and their crew is to get "up" as much as possible. Therefore, tagging crews go on "bombing" raids, doing extensive damage to the community in one night. The goal of the tagger is exposure and this does not limit them to operating in any one area the community.

Differences Between Tagger and Gang Graffiti

Tagger Graffiti

Gang Graffiti

Communication secondary, if present at allIntent made to communicate
Artistic effort a major considerationArtistic effort secondary, if present at all
Territorial claims infrequentTerritorial claims prominent
Explicit threats rareExplicit threats made
Explicit boasts about tagger commonExplicit boasts made about gang
Pictures and symbols dominant, letters and numbers secondaryLetters, numbers, and symbols dominate
Limited police intelligence gatheredIntelligence to police provided

Link: http://www.edmontonpolice.ca/CommunityPolicing/OrganizedCrime/Gangs/GraffitiandTagging.aspx

Graffiti terminology

Berlinermauer.jpg


Click on the picture to see the glossary of graff...

Nick's Legal Graffiti Tagging Style.


See full size image

As a means of legal and or illegal advertising

Legal advertising graffiti on grocer's shopwindow, Warsaw, Poland

Graffiti has been used as a means of advertising both legally and illegally. In NYC, Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies like Cola, McDonald's, Toyota, and MTV. In the U.K. Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes of cross referencing would promote their store. Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product. Shepard Fairey, the artist behind the now iconic Barack Obama "HOPE" poster, rose to fame after his "Andre the Giant Has a Posse" sticker campaign, in which Fairey's art was plastered in cities all across the America. Fans of theCharlie Keeper novel have used stencil graffiti images of dragons and stylised story titles as a means to promote and support the rise of the story.

Many graffiti artists see legal advertising as no more than 'paid for and legalised graffiti' and have risen against mainstream adverts. The graffiti research lab crew have gone on to target several prominent adverts in New York as a means of making a statement against this criteria.

guardian.co.uk home

Badge Art and Design Blog


The Splasher: art or vandalism?

A campaigner who has been defacing street art in New York might just have a point.


Photograph of work by The Splasher taken by Jake Dobkin
One of The Splasher's works. Photograph: Jake Dobkin

An anonymous campaigner has been covering street art in New York with splatters of paint and wheat-pasted manifestos condemning the commodification of art. The vandal has been nicknamed The Splasher by bloggers, and greeted with derision. But if street art is supposed to bend boundaries and be anti-establishment, why does someone want to deface it?

The art manifestos pasted alongside the splashes are given titles like Avant-Garde: Advance Scouts for Capital or Art: The Excrement of Action, declaring the work as "a trough for the gallery owners and critics". The Debordian rhetoric cries to destroy the museum: "Revolutionary creativity does not shock or entertain the bourgeoisie, it destroys them". To make it even more violent, there's a note at the bottom of the paper saying removal may result in injury as they've mixed the paint with tiny shards of glass.

Artist-victims of the campaign so far have included Swoon, Faile, Banksy and Shepherd Fairey - most of whom make very healthy livings in the art world. In the more rule-laden graffiti scene, lining someone else's work (crossing it out with spray paint) is the ultimate insult. But street art hasn't developed with those parameters. The transitory nature of street art is what gives it its impact. Many people creating work don't expect longevity - no wall stays the same for long in a city. Arguably The Splasher's Dadaist political cries are just another form of street art in themselves.

Perhaps the campaign is a response to what street art blog The Wooster Collective calls the Banksy effect. When Banksy first started selling his work and moving off the streets - swapping the egalitarian for the cash - many people accused him of selling out his politics (but are currently kicking themselves for not buying the work for £50 when its now worth £50,000). His mammoth success has lead to sell out shows by street artists at galleries worldwide.

Does this justify The Splasher's actions? I say deface the work - give it time to breathe and be seen for a bit - then comment on it. Street interventions shouldn't be static - they should develop and change. If pieces remain untouched then surely that's proof of their worth? A few years back, Banksy created a large stencil mural in Soho of the Mona Lisa dressed as Che Guevara. In the night, someone transformed her face into Bin Laden. The comment was funny, timely and more resonant. Art is something in progress rather than something to sell in Sotheby's. Maybe The Splasher has a point ...

Francesca GavinPosted byFrancesca GavinThursday 1 March 200715.52 GMT